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Just to say many thanks, both to yourself, ‘Anchorman’ Dave, the crew of RAF 102, and of course the man upstairs, who was in charge of the weather, for a really superb day on the Solent yesterday. Anchorman has the speed, and flexibility, of chasing boats on water, which also enabled us to make good use of the prevailing weather conditions. I have rarely experienced such dramatic cloud backdrops, against a photographic subject. As for the awesome ‘demo’ by the Coastguard patrol, it was a privilege to be able to witness the precision of the crew, at such close hand. I look forward to next years Solent programme, you have certainly set the bar high after yesterday! Well done once again to all involved.

Neil E
Ropley station evening shoot: I think the light was in our favor. The reenactors were impeccably turned out. The staff at Watercress were very accommodating and of course TLE organisation was top notch. I thoroughly enjoyed the evening shoot. I think I captured some shots I will keep. I know I haven't been shy posting them on my forums. I'm a member of Watercress, I think it has some fabulous locations to photograph. Some of the images I've seen from the other participants are beautifully presented. I've definitely picked up some tips & tricks. Looking forward to revisiting Watercress with TLE in the near future. Alan P

ProTog event at Didcot 21st Oct. The most fascinating experience I had during the event, were the lighting and smoke setups. Coupled with the tips given by Mark the Pro, it allowed me to extend my understanding of my Olympus camera and lens in low light situations (low & high ISO, tripod & handheld, Colour & B&W). The reenactors gave the evening a real sense of authenticity to the atmosphere of the steam sheds at night.

Alan P

I did the Vulcan night shoot and had an incredible day. A great deal of thought had gone into the perfect scenes for photographers, particularly liked the re-enactors freezing as slow shutter speeds had to be used. I can confirm from my images there was little or no movement. Well done to them. Also liked that a tent had been provided to keep dry as the start of our shoot was wet. If I had to be critical at all I would have liked somewhere to sit, just some benches in the tent would have done. Also at times there was far too many people, some not recognising that they were not the only ones trying to get shots. I would be prepared to pay more and have less people but these are only small issues. A really enjoyable day and I got some great shots. Looking forward to doing many more.

Simon P
We are both serious armatures looking for images with a difference that will get us acceptances and medals in International Salons, it's why we take advantage of TimeLine Events. Swindon, Basingstoke, Didcot, and down on Farm have all been great opportunities and many acceptances and at least 1 medal. This is all down to Neil and his team of re-enactors that provide the cameos and individual images. The setting up of lights the use of smoke machines and the ability to get your images without having to jostle for position or worry about others getting in the way. These days are not cheap but then what hobby is, and it's a true old saying "you cant take it with you" so we look forward to giving Neil some more of it. Philip Davies EFIAP  AWPF Ann Davies EFIAP/s DPAGB Philip D
As a regular visitor to East Kirkby and Just Jane, I enjoy the oppressive to take part in TLE. Neil & Alan are brilliant in the way that they are there for all your needs and are very approachable particularly if you need a little technical help. I’ve attended photography events with other operators where re-enactors forget they they are chiefly there for us the customers, but the way that Neil & Alan get the guys and girls to to do repeat walks, or when they hold a certain pose for a few seconds. The banter is also good, and I particularly like the fact that we are all encouraged to be friendly and aware of each and to be polite. I cannot recommend TLE highly enough and look forward to a shoot containing the Mosquito in 2020. Rob Hayton